Light Verse as Social Mirror the Transformation of Late Victorian Poetry form Nonsense to Criticism
DOI:
https://doi.org/10.61856/s8yy7p06Keywords:
Victorian poetry, light verse, satire, mass literacy, cultural transformation.Abstract
This study examines the evolution of Victorian light verse from playful nonsense to a nuanced medium of social critique. Focusing on key figures such as Edward Lear, Lewis Carroll, W.S. Gilbert, and Oscar Wilde, the research examines how humor, linguistic innovation, and satirical elements were employed to reflect and challenge prevailing Victorian values related to class, gender, and morality. By applying close reading and historical contextualization, the study analyzes selected texts to reveal the layers of social commentary embedded in poetic form. Unlike previous studies that often isolate early or late figures, this research traces a continuous literary trajectory, situating light verse within the broader Victorian cultural milieu, including the rise of periodicals, mass literacy, and the comic novel. The findings highlight light verse as both a creative expression and a socio-political tool, offering new insights into its role as a mirror of the era’s contradictions and transformations.
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